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I finished Light of the Jedi.

Wow, that was a lot of manifest destiny nonsense composed of forgettable characters and awkwardly written description.  I found out that Charles Soule is primarily a comic book writer, though, and to be honest I think that might explain a lot about why this novel seems so amateurish.

Comic book writers are often writing for existing characters and thus have little to no need to create their own.  Much like fanfic writers, this can potentially mask a lack of skill with characterization.  This novel, taking place in an entirely new time period in the Star Wars universe, is composed almost completely of OCs.  I feel like  Soule is simply not equipped to handle the characterization requirements of this story.

In addition, comic books are a highly visual medium, so I imagine most description the writer creates is primarily intended as notes for the artist.  Considering the novel's descriptions in this context explains a lot, I think, as to why they seem so awkward.  The descriptions in this story actually seem very apt as utilitarian notes intended for an artist, but there is, for the most part, no artistry to the words themselves, no attempt to consider word choice, and no attempt to paint a mood or a tone or a theme along with the image.

I'll give this story some points for actual use  of a hard scifi concept (acceleration weapons), taking advantage of established Star Wars world building, and a serviceable (though hardly inspired) plot, but overall I do not recommend.

I do have a lot of thoughts on this novel, though, and how the High Republic time period in general has been constructed by Disney, so I might expand on all that later.

Rating: 3/10

Maz Kanata

Dec. 18th, 2018 01:56 am
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I have been thinking of excuses to put Maz Kanata in some of my other Star Wars works, because I really want to see more of her and her adventures as an intergalactic pirate.
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I finished the first of the new Thrawn novels. My title claims this is a review, but really it's just some rambling disjointed thoughts so feel free to jump off here if that sounds tiresome.

It's...pretty good actually?

I guess I shouldn't be surprised. Zahn is always, if nothing else, interesting. I've read not only a number of his Star Wars books, but also some of his other sci-fi works, and they all have a characteristic energy to them that I enjoy.

Thrawn shares some similarity with those other works, and also some differences. I enjoyed the side characters in this story. Both the main plot and subplots are strong, and there's a lot of great characterization moments. I was worried when I first started reading this story that there wouldn't be enough to it to hold my interest, but I'm pleased to say that I was wrong.

Both the plot involving Thrawn and the one with Arihnda were engaging. This novel, despite being told entirely from the point of view of Imperials, also doesn't seem to suffer from the strain of Imperial apologism I feel a lot of other new canon works do.

Did the old EU have it's own strain of Imperial apologism? Even from what little I recall of it, it had its moments. I do not know which is 'worse' or 'better'--there's the fact that I read many of the old EU novels many, many years ago, when I largely didn't pay attention to larger thematic or political messages in a work. But I do maintain there are some really overtly dissonant messages in the Disney canon that I find across a large number of the stories, that didn't seem endemic in the old canon. Because of this, I actually do suspect that the new canon has more unifying control exerted over it than the old did, it's just not focused on making the plots or characterizations make sense.

But I digress. There's a lot of introspection moments for Thrawn in this novel. There's also a lot of moments that show just how terrible the Empire is. We get to see Thrawn's truly pretentious writing stye. And there's a lot of messy moral decisions he makes. And that's part of what makes this story satisfying.

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