Micky7

Nov. 16th, 2023 10:31 pm
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So a while back I made a post on pillowfort asking for hard sci-fi recs that had a focus on characterization. One of the recs was for the novel Mickey7, which I've recently finished. Here's a spoiler-free review.

This novel not only fulfilled all the specifications I set out, but it was fast-paced and suspenseful enough for my capricious attention-span. There's also some great world-building, from both a technological and sociological standpoint. The latter is something that I feel many scifi stories are pretty weak on, especially hard sci-fi. The main character is a historian (a hobby, apparently his society doesn't have historians anymore, largely due to anyone being able to look up any historical knowledge they could want to know at any time).

There are some extended infodumps to fill out the worldbuilding, but they're all plot-relevant and actually pretty interesting stories in their own right, since you get to learn a bit about the history of this spacefaring society called the Union.

He's also an Expendable, which is a person whose physical and mental patterns are all uploaded so they can produce a perfect replica of him after they have him do whatever fatal mission-critical task they need to have done that can't be automated (the reasons for which are explained in the story).

The story starts when Mickey7 has fallen down a hole on the ice world of Niflheim. Theoretically this is no big deal, right? He's technically immortal, after all.

Practically, though, Mickey doesn't really like dying. He should know, too, since he's the only person on the Drakkar crew that remembers it happening to him. More than once, actually.

I enjoy that a major antagonist of the story, the colony commander, is someone who has personality traits and motivations rather than just existing as an obstacle to be brought out as needed for the plot. I really enjoy antagonistic relationships.

Though the friendships and romantic relationship in the story are also complex. I really enjoy the social dynamics between the characters. Mickey also has a certain amount of antagonism for his best friend Berto, both for reasons that become clear early in the story  and for reasons that are implied later on.

Mickey7 is a fast-paced, fun, frightening, and thoughtful look at the intersection of technology and society.

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So today I'd like to review the episode Lisa The Vegetarian from The Simpsons from Season 7, episode 5.


Read more... )

Nimona

Jul. 28th, 2023 06:22 pm
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Oh, I watched Nimona recently. I thought it was fun but also feel it fell rather short of what it could have been.
Read more... )

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So, by my calculations, I am now about 55% through Beasts of Burden: Animal and Disability Liberation by Sunaura Taylor. I can't recall any nonfiction book I've read so quickly and so sequentially. While I've read a number of nonfiction books with rapt attention, it's not my habit to read them cover to cover as I would a novel but rather to skim to parts that seem relevant to my situation or are of particular interest to me. I've also read plenty of nonfiction books that presented ideas I found valuable, but that felt like they were padded with unnecessary additions merely to make them 'book-length'.

But every part of this book felt relevant to the main points Taylor is discussing. She expertly links personal anecdotes, history, and current events with philosophy and activism.  Throughout the book, she touches on a many different ideas and perspectives, showing their connections and similarities as well as their tensions and differences. I wasn't sure what to expect going into this book--while I very much believe that problems in this world  are interlinked in ways that defy neat boxes and categorizations, I also think discussion of those complicated intersections can be difficult.  I worried the book might be full of superficial connections or long meandering narratives that I would struggle to follow, as has been a frequent issue I've encountered with books on topics like this, topics that sounded promising but highly ambitious.

But every piece of this book is deeply connected, both to her central thesis and each other, in a web of incredible intricacy. The philosophy she presents considers a multiplicity of different perspectives both within and outside of the animal rights and disability movements and examines how they intersect or conflict. She tells the story of her own life and the lives of others and each time stops to consider what these stories might tell us and how they might inform our activism.  She patiently lingers on ideas to explore them and consider their many and multifaceted implications.

I'd definitely recommend this book to anyone interested in better understanding disability or animal rights activism.  I also think it's just really well-written?  Anyway it managed to hold my rather fickle attention so I consider that alone impressive.  Tastes and experiences differ greatly, so I'm sure not everyone would get the same things out of this book that I did, but I think there's a lot of value here. As I said, I'm not yet finished with this book, but the first half alone made this text more than worth my time.

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So, recently I read Animal Liberation by Peter Singer. What astounds me is that, despite the fact that I've fully despised this guy for years before I read this book (so much so that I got into an argument with another vegan when they recommended it), the actual text itself managed, if anything, to make me loathe him even more.

Despite what I knew about Singer going in, I was nonetheless surprised that his position, as stated in this text, is very clearly one of *animal welfarism*, not animal rights. This can be seen in such statements as:

"In keeping with the reasons given there, I do not, on balance, object to free-range egg production."

Animal Liberation (2015 Edition) by Peter Singer, Ch 4 Becoming A Vegetarian

This statement not only ignores the often less than cozy realities behind the 'free range' label, but ignores the fact that artificial selection has produced the chickens' prolific egg-laying entirely for the benefit of humans, and at great cost in overall health and happiness to the birds themselves.

While he does not spend (much) time criticizing vegans, he also focuses almost entirely on reform of an irretrievably broken capitalist system that serves neither human nor non-human animals. This is unsurprising because Singer is one of the few beneficiaries of that system. He seems to have very little actual understanding of the human social justice movements he casually brings up in the most clumsy, insulting, and ineffectual ways.

What surprised me is how little of the book is devoted to actual *philosophy*. To be sure, Singer stops after lengthy exposition of facts to occasionally muse on the meaning of it all, but he devotes little more time to this than any average news expose might. Excuse me if I thought a philosopher might spend more time actually philosophizing.

I guess you really can't criticize something until you've read it. I mean, I was right, Singer is not a vegan, but this book also does not advocate for veganism. Also I've read more thoughtful philosophy on Twitter, a social media site I have numerous philosophical objections to and do not use.

And that's my review of this book!
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Last night I watched The Host by Bong Joon-Ho and I really enjoyed it (though also found it quite traumatic). Wasn't sure what I would think since I knew it was a monster film and I'm not typically that in to that genre, but I wanted to give it a chance since I've been impressed by all the other films of his I've seen and I was not disappointed.

One thing I find so fascinating about Bong Joon-Ho's protagonists is how they embody that incredible duality of unbelievable strength and extreme fragility that exists in reality, but I think is so often deemed as either too unrealistic or too depressing to depict. Anyone can die in his stories, but that doesn't mean they will, and his characters sometimes exhibit seemingly superhuman levels of strength or resourcefulness. That is especially true in this movie, which is full of adrenaline and action-packed scenes.


Also, had an observation about the ending (huge spoilers below the cut):



Spoilers for the ending...
In the protagonist family, both the grandfather and the daughter die. And when the Agent Yellow is being released, there's a warning about it being especially harmful to the elderly and children. Given that the monster itself is a result of fomaldehyde mutating a river animal, the choice of deaths seems in direct reference to how chemical contamination is especially harmful to these groups.


Anyway, this is yet another great movie that will give me so much to think about. Might write more on this film later, but it's probably going to take some time to properly organize my thoughts on it.

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Well, I finally finished reading The Left Hand of Darkness by Ursula K. Le Guin.  I'd started it years ago and gotten perhaps 80 pages in before I stopped.  I had a much easier time getting into it this time around.  I found it interesting and thoughtful, though the over half-century between now and when it was written certainly shows.  I think that even stories that try to imagine cultures starkly different from their own as this one does still can never quite escape their own in ways that may be quite subtle to those in that time and place, but quite obvious to those outside it.  Though I will say that of the books I have read from LeGuin, she is the sci-fi and fantasy author I've seen make the most effort to reimagine culture.  

It's simply that I can still see the bones of that culture, that time and place, even here in this alien world and especially in this human who hails from what would still be an unimaginable society to us, seeking as it does only trade and companionship with other worlds, and not control or domination.  I think all stories are, to some extent, rooted to the culture they arise out of, as we can never entirely understand what we dwell within.  But this is a larger attempt to dwell outside that culture than other sci-fi I've seen, from any time period.

I don't know if it's supposed to be incomprehensible, but I never could understand why Genly distrusted Estraven for so long, and it meant I found him quite unlikeable for a good portion of the story.  Naturally my favorite character was Estraven.

I had also been under the false impression based on what others had said about this story  that there was sex in this novel. There is no sex in this novel. Just aliens who go into heat.  On a frigid cold planet. With a human who is always cold there, and sometimes must huddle, naked, with those aliens for warmth. Who is sometimes completely alone with their dearest friend, who is in heat.  This is, I think, a very important thing to understand about this novel. 

Anyway, I was glad to finally finish this story.  I found it much easier to read through on my second attempt.

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I finished Light of the Jedi.

Wow, that was a lot of manifest destiny nonsense composed of forgettable characters and awkwardly written description.  I found out that Charles Soule is primarily a comic book writer, though, and to be honest I think that might explain a lot about why this novel seems so amateurish.

Comic book writers are often writing for existing characters and thus have little to no need to create their own.  Much like fanfic writers, this can potentially mask a lack of skill with characterization.  This novel, taking place in an entirely new time period in the Star Wars universe, is composed almost completely of OCs.  I feel like  Soule is simply not equipped to handle the characterization requirements of this story.

In addition, comic books are a highly visual medium, so I imagine most description the writer creates is primarily intended as notes for the artist.  Considering the novel's descriptions in this context explains a lot, I think, as to why they seem so awkward.  The descriptions in this story actually seem very apt as utilitarian notes intended for an artist, but there is, for the most part, no artistry to the words themselves, no attempt to consider word choice, and no attempt to paint a mood or a tone or a theme along with the image.

I'll give this story some points for actual use  of a hard scifi concept (acceleration weapons), taking advantage of established Star Wars world building, and a serviceable (though hardly inspired) plot, but overall I do not recommend.

I do have a lot of thoughts on this novel, though, and how the High Republic time period in general has been constructed by Disney, so I might expand on all that later.

Rating: 3/10

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I finished watching Kingdom last night.  I'm not a big fan of the horror genre but something about this interested me. I thought this story had a decently well-structured plot.  I think what drew me to this initially was a personal desire to engage with stories about pandemic, though I also had to stop watching this for a while for that same reason (given that I also have a strong desire to see stories that *don't* remind me strongly of real world problems).  

My favorite character was the physician Seo-bi and my favorite aspect of the plot was the medical mystery aspect.  I wasn't really expecting there to be a detailed background about 'how the undead works' in this story, but there was!  Seo-bi is the main character responsible for unravelling this mystery, and I really enjoy how her character develops.

This is a very tightly plotted story.  There aren't many episodes, only six per season, but a lot happens in a very short time period.  I think of each season as a movie in a sort of 'here's what would be possible with a movie if it could be made ridiculously long' kind of way.  

The other thing I really liked about this show was the lavish scenery and costuming.  Obviously there's plenty of gross scenes too but it's contrasted with this beautiful imagery.  Maybe it's shallow but I just like seeing pretty clothes!  Pretty outdoors scenes!  Even the scary flesh-eating dead people get to be aesthetic sometimes!

There's a fair amount of humor interspersed in this story which helps to offset its more grim aspects.  There's also a character who's very clearly a comic relief character, and while I often find such characters annoying, I appreciate the implementation here, and he certainly helps to offset the otherwise deeply somber tone.  There's also a lot of action, unsurprisingly, and I'm a huge sucker for action scenes.

There's a lot of aspects of the narrative where I just accept that 'it's not that deep' haha but there's definitely something more to this story than its surface level features.  I just looked up the work this is based on, The Kingdom of the Gods, and found out that that's a manga.  Also interesting is that while the writer of the manga is Youn In-wan, the idea for the manga was provided by the writer of the television show, Kim Eun-hee.  I've long had an interest in tracing the relationships between an original work and its derivative works, so I might want to see if I can read the manga sometime.  Though for some reason I have difficulty getting into a lot of the comics/manga/graphic novels medium, I definitely have an interest in comparing and contrasting these two works.

Anyway, this was a fun if often grim series and I'd definitely say it was worth watching!

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I watched the Seven Samurai recently.  That was intense.  It was interesting to see a story where the main goal was to protect some farmers from bandits.  I can also kind of see how elements from this film could have inspired a lot of Hollywood action films, including Star Wars.  But I also feel those films tell a fundamentally different story from this one.  I think this story ends with a lot of unanswered questions, but very intentionally so. 

There's a lot of violence, though for me what was most viscerally upsetting was the way Shino's father treats her in the film.  Besides that, there's a lot of death in this film, but for the most part it didn't annoy me in the way that copious character deaths typically do.   I really appreciated that the farmers aren't just this undifferentiated crowd, but have a variety of characterizations both as individuals and as a group.  And it's their crisis that drives the story forward.

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