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The Sith are kind of inherently edgy, but that doesn't mean that all the Sith are edgy to the same degree. So, time to rate them by how much they exemplify the Sith trait of edginess. For this I will be using my very scientific Edge Factor metric. So let's get started:

Darth Sidious: 6/10. Not a maximally edgelord aesthetic. Spends much of his life pretending to be an inoccuous good guy, which is diabolical but not edgy. Also by the time his aesthetic becomes more edgy, he's well established as an authority figure, which is not a particularly edgy role. Edgelords are more about tragic rebellion than ruling: so in this respect Sidious is a victim of his own success. All of *his* rebellions were successful, which *is* tragic, but not for him.

Darth Tyrannus: 4/10. Look, cut him some slack, he's not used to this Sith stuff. Still, he does have that tragic rebellion thing going for him re: the Jedi and Yoda.

Darth Plagueis: 5/10. Leave him alone, he just wants to do his evil science. Scalpels are edgy, right? Anyway surely he can just delegate the edginess to his apprentice? He wants to get back to his experiments. Little too much authority for the necessary rebelliousness, and takes *forever* to rebel against Tenebrous, though he does try to (unsuccessfully) end the rule of two.

Darth Maul: 10/10. Someone understood the assignment. Classy all black attire. Single earring. Double-bladed lightsaber. Rebels against Sidious multiple times, but never vanquishes him. Dies tragically trying to get revenge. Maximum edge.

Darth Vader: 8/10. Solid edge aesthetic and history of tragic rebellion, but gets points deducted for position of authority in the Empire.

Darth Bane: 8/10. A little too successful so gets a deduction for that, but the aesthetic and rebellion are *off the charts*. Guy rebelled against his father, the Jedi, *and* the Sith. Not to mention the face tattoos and invincibility beetles have incredible edge energy.

Darth Zannah: 8/10. Again, too successful for maximum edge, but solid aesthetic with the face tattoos, plenty of rebellion, and a tragic willingness to sacrifice her closest relative for her ambitions all makes her Edge Factor competitive.
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Just re-read the last chapter I've written so far for my Heart of Shadow fic and had a lot of fun reading it. It's Plagueis just being Plagueis (or rather, Hego Damask), and Dooku and Qui-Gon affectionately bickering with each other and not so affectionately bickering with Plagueis.

I love the secret identity aspect of the Sith. It's so fun to play around with that kind of character, and think about how the different facets of their personality, even the ones that are pure artifice, bleed into each other. A person is not their mask, but the kinds of masks a person chooses does say something about them. I actually think Plagueis wears two masks--the mask he shows the world, of a mundane businessman, and the mask he presents to Palpatine and himself, the mask of someone who both desires power and has the wisdom necessary to obtain it. Which is to say, the mask of the dutiful Sith Lord.

I don't think Plagueis, and that includes canon Plagueis, is very good at, or particularly motivated by, the things that are supposed to motivate a 'good' Sith Lord. Which is not to say that I think he doesn't want power or the destruction of the Jedi, because I think he wants both of those things. It's not to say that I think canon Plagueis can't be as cold as the frozen world he grew up on. But I think what Plagueis wants most is the personal freedom to pursue knowledge for the sake of knowledge, and companionship. 

He was slow to kill his own Master and he wanted to rule over the galaxy for eternity with Sidious. If that isn't the essence of 'best friends forever' (forever!) I don't know what is. And of course he botched that up real good because he also never properly learned how to respect someone rather than try to dominate them. Like Sidious would never have accepted that scenario and Plagueis was a fool to think he would. Like thinking that a man that murdered his own father because he resented the authority that was exerted over him was ever ever ever going to accept a situation where someone else could exert power over him for infinity forever is just the height of hubris, but that's part of what I love about Plagueis so much.

And I also love that for Plagueis political power and the destruction of the Jedi are just kind of secondary to what he really cares about, which are his terrible little experiments. Love that the Darth Plagueis novel recontextualizes Palpatine saying that Plagueis could save the ones he cared about from dying into meaning that he could bring his science experiments back to life.

And I love getting to examine the relationship between Dooku and Qui-Gon in my story when Dooku was still a Jedi. Tales of the Jedi was just so boring in how it portrayed Dooku (also in how it portrayed Mace Windu, but that probably deserves its own essay) and particularly his relationship to Qui-Gon. Like he's practically a Sith already in that cartoon. There's no attempt to show, like, any actual significant shift in who he is as a person in his transition from Jedi to Sith. Anyway when I was writing this chapter, I had a lot of fun showing Dooku and Qui-Gon's dynamic with each other, how they're both similarly stubborn but also their very different approaches to problems and to life in general.

Anyway, it was fun to reread the chapter and think about all these characters again.

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Guess who finished Yoda: Dark Rendezvous?  I've been meaning to read this book for a long time, but other tasks, and other books, kept intervening.  My story research tends to be a big motivator for reading things, though, and I've been trying to research Dooku for Heart of Shadow,  so I finally got around to it.

This book ripped my heart out and stomped on it.  10/10 would recommend.

A big problem that prequel stories can have is to just serve as a sort of filler exposition.  Let us explain in stultifying detail how we got from point A to point C. There is no emotion, there is boredom. 

But this story understands that expositional specifics cannot drive a prequel.   There are two angles to approach such a story: to introduce an element whose outcome cannot be predicted from the start of the story, and to explore the emotional angle of the events.  This story does both, and does them expertly.  Furthermore, it connects its OC characters to the canon characters thematically.

This story also understands what the Star Wars prequels, specifically, are about.  It understands that a tragedy is not simply an account of bad things happening, and not a matter of mere body count.  We know exactly which characters can die within this story, and which cannot.  But death is not the only tragedy that can befall a character.

While Yoda is the title character, the story is as much about Dooku as it is about him.  And it is specifically about the relationship between these two characters, though it also deftly explores the relationships between other characters as well.  I loved seeing the flashbacks between them from when Dooku was a youngling and Padawan, as well Yoda and Dooku's tense meeting near the end of the story.

Also, this quote killed me:

"Every Jedi is a child his parents decided he could live without."

I've seen this quote many times, but I never knew it was from this novel, or that it was Dooku who said it!

The portrayal of Ventress here is one of my absolute favorites, partly for agreeing with some of my own major headcanons of the character and also because of how much insight we get into both her past and her relationship to Dooku.

I really enjoyed the Jedi in this story, quite in contrast to how I feel about them in works like Light of the Jedi, or in every tiresome fandom meta that tries to minimize or scrub away their flaws.  It seems to be a trend that I like the Jedi best in the stories that seem to best understand the motivations of their enemies. 

Theres also some quite interesting political references here regarding not only the Jedi, but the Republic as well.  The Chancellor Palpatine Spaceport scene comes to mind.

In summary, Sean Stewart wrote a straight-up Shakespearean tragedy for Dooku and Yoda, with no shortage of worldbuilding or lightsaber battles, either.  This is absolutely one of the best Star Wars novels I have ever read.
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I have now written five future scenes for Dooku in Heart of Shadow.  It's going to be a while before I get to a place I can put any of these particular scenes in, but I do have an upcoming scene with Dooku which should happen much sooner, so that will be more fun to write with these future possibilities in mind.  He's only been briefly mentioned in the story so far, but I plan for him to be an important character in this story.
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Even though I don't post on my Tumblr blog anymore and I have...multiple issues with that site, I have to say that being on Tumblr was a...formative experience for me.  Though I'm glad I was never on that site as a child because it was definitely a deeply traumatizing one as well lol.

But I digress.

Because what I really wanted to say is that that one fanart of Dark Rendezvous from Tumblr where Yoda is begging Dooku to show him the power of the Dark Side will forever be burned into my mind...
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I think it's kind of amusing that Sidious made Dooku his Apprentice. Like, there's nothing illogical about that and I can see why he'd both be motivated to do that (since Dooku was Yoda's prize Apprentice), and I can also see how it would be a useful choice since given Dooku's age people might be inclined to assume that he was the Master Sith.

But I mean, looking at it from Dooku's perspective, his boss is like, 20 years younger than him or something. I just kind of wonder what he would have felt about that. Also this makes me want to come up with an excuse for them to meet earlier on than in canon in Heart of Shadow and have Dooku call Sidious 'young man' lol.

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